17 Ergebnisse.

Keine Beschreibung.

Keine Beschreibung.

Keine Beschreibung.

Douglas Atwill is a painter who lives in Santa Fe, painting the New Mexico landscape and gardens, often his own studio garden. His paintings are in collections coast to coast and he continues to have solo exhibits. Atwill's observations accompany each illustration. His other books from Sunstone Press include: "Why I Won't Be Going to Lunch Anymore, " "The Galisteo Escarpment, " "Imperial Yellow, " "Creep Around the Corner, " "The Oyster Shell ...

A summer on the California coast calls to Mattox Williams, a writer wanting quiet days to do the finishing work on his novel. He leases his Santa Fe house for three months and finds an ocean-facing room at Glitter Bay. While meeting the other people of the beach community, a love affair develops as well as the surrounding strife. He makes a deep emotional mark on the neighbors, particularly on Hayden Danning and his sister, Sylvan. A surprise ...

Graham Obermann is an established biographer of the Post-Impressionists. He is married to Celia Prosper, a modernist painter well-regarded by critics and collectors. As Obermann organizes a birthday party for Celia, looking after all the details, he describes in a single day the odd Prosper family and his attraction to his novelist brother-in-law Karl. Several significant events test all the characters in this family saga with subplots of many...

In a series of episodes, Atwill writes about three men making a life together in Santa Fe just after WWII. It is a time of hope and change, artists and writers challenging themselves with difficult projects, discovering ways to tell of their experiences in a modern manner. Two of them, just home from the war in Europe, have rebelled against the stodgy, rule-filled Philadelphia world of their parents to make a new place for living and a quiet t...

A painter and author of eleven other books, Atwill has lived in Santa Fe for many years. He has a house and studio on Cristobal Lane, where he painted the canvases illustrated in this book. Atwill writes about each painting in turn, why he painted it and from where the image originated. A number of them are scenes from his own garden, a courtyard between house and studio with apple trees, horsechestnuts, climbing roses, perennials and a rectan...

A painter and author of twelve other books, Atwill has lived in Santa Fe for many years. He painted fifty-six paintings in 2018 in his studio at Cristobal Lane, and he writes about each painting in turn, what sort of mood he was in while working on it and from where the image came. He also diverts into lore and accounts of the curiosities of being a painter. Most of the paintings are landscapes of New Mexico, but he often looks at what is goin...

A summer on the California coast calls to Mattox Williams, a writer wanting quiet days to do the finishing work on his novel. He leases his Santa Fe house for three months and finds an ocean-facing room at Glitter Bay. While meeting the other people of the beach community, a love affair develops as well as the surrounding strife. He makes a deep emotional mark on the neighbors, particularly on Hayden Danning and his sister, Sylvan. A surprise ...

The title story tells of Marian Nakamura who pickles the fallen pears to remember a husband who took a fatal fall from an upper branch of a pear tree. The story won a place on the final ten list of a 2010 "The New Yorker" magazine competition. In another story a Minnesota woman learns to paint in Santa Fe and finds acclaim for her colorful canvases, only to walk away from them. A native American artist paints a cathedral scene, loosing the pow...

Douglas Atwill is a painter who lives in Santa Fe, painting the New Mexico landscape and gardens, often his own studio garden. His paintings are in collections coast to coast and he continues to have solo exhibits. Atwill's observations accompany each illustration. His other books from Sunstone Press include: "Why I Won't Be Going to Lunch Anymore, " "The Galisteo Escarpment, " "Imperial Yellow, " "Creep Around the Corner, " "The Oyster Shell ...

Graham Obermann is an established biographer of the Post-Impressionists. He is married to Celia Prosper, a modernist painter well-regarded by critics and collectors. As Obermann organizes a birthday party for Celia, looking after all the details, he describes in a single day the odd Prosper family and his attraction to his novelist brother-in-law Karl. Several significant events test all the characters in this family saga with subplots of many...

Neil Bronson, new from the Royal Academy, summers in Provence, teaching himself to paint outside. Before returning home, he and his friends, Sam and Carrie, rent a cottage on the coast, playing a langorous triangle of seaside sexual attraction. Neil's uncle interrupts the idyll, urgently seeking their help teaching at his art school in Santa Fe. A month later, Bronson and Sam move into Casa Marriner and meet the faculty members, several jealou...

An unexpected death in Donovan Merrill's family makes it necessary that his grandmother, Anna, and he leave the rectory in San Miguel. They move into her summer cottage in the midst of the artist colony in the Laguna Beach of 1938, starting life over. It will be difficult with their diminished resources, but Donovan and Anna prove up to the task. They find friends and mentors among the painters and bohemians, Donovan early on deciding that he ...

Europe in the Cold War years was a dangerous place for Harold Bronson and his buddies, draftees commandeered into espionage and counterintelligence. Their low echelon escapades take them to Berlin, Ulm, the South of France, and Zurich. Bronson chooses this time of his life to explore a personal coming out, creating secrets within secrets in a disapproving military. In his off-time, Bronson paints portraits of the other denizens of Schloss Isse...

Outsiders seldom understand the curious amalgam of artists, galleries, misfits and hangers-on known as the Santa Fe Art Scene. Douglas Atwill, a painter living and working in its midst for many years, writes stories with an insider's eye, tales of facing the easel every day, as well as those of dealing with the commercial demands from collectors, galleries and their crabby owners. In this collection of stories, we witness a group of Santa Fe p...